| |
Enter SIR TOBY BELCH and SIR ANDREW
| |
| | | |
| |
SIR TOBY BELCH
| |
| 2.3.1 |
Approach, Sir Andrew: not to be abed after
| |
| |
midnight is to be up betimes; and "diluculo
| betimes in good time |
| |
surgere," thou know'st
| diluculo surgere (The first two words of a Latin |
| | | maxim which says, "to get up at dawn is very |
| |
SIR ANDREW
| healthful." |
| |
Nay, by my troth, I know not; but
| by my troth on my word |
| 2.3.5 |
I know, to be up late is to be up late.
| |
| | | |
| |
SIR TOBY BELCH
| |
| |
A false conclusion: I hate it as an unfilled can.
| can tankard |
| |
To be up after midnight and to go to bed then,
| |
| |
is early: so that to go to bed after midnight is to
| |
| |
go to bed betimes. Does not our life consist of
| |
| 2.3.10 |
the four elements?
| the four elements earth, water, air, and fire, the |
| | | elements out of which everything is made >>>
|
| |
SIR ANDREW
| |
| |
Faith, so they say; but I think it rather consists
| |
| |
of eating and drinking.
| |
| | | |
| |
SIR TOBY BELCH
| |
| |
Thou'rt a scholar; let us therefore eat and drink.
| Thou'rt a scholar i.e., You're so smart! |
| |
Marian, I say! a stoup of wine!
| stoup large drinking cup |
| | | |
| |
Enter Clown
| |
| | | |
| |
SIR ANDREW
| |
| 2.3.15 |
Here comes the fool, i' faith.
| |
| | | |
| |
Clown
| |
| |
How now, my hearts! did you never see
| |
| |
the picture of "we three"?
| the picture of "we three" a picture of two fools |
| | | or two asses (It's "we three" because the viewer |
| |
SIR TOBY BELCH
| is the third. The Clown is saying they're fools, too.) |
| |
Welcome, ass. Now let's have a catch.
| catch round (a song which two or more singers |
| | | enter at different times, singing the same lyrics) |
| |
SIR ANDREW
| |
| |
By my troth, the fool has an excellent breast. I
| breast breath, singing ability |
| 2.3.20 |
had rather than forty shillings I had such a leg,
| such a leg (Perhaps the Clown is showing his leg in |
| |
and so sweet a breath to sing, as the fool has. In
| an elaborate bow.) |
| |
sooth, thou wast in very gracious fooling last night,
| gracious delightful, inspired |
| |
when thou spokest of Pigrogromitus, of the Vapians
| Pigrogromitus . . . Queubus (The Clown was |
| |
passing the equinoctial of Queubus: 'twas very good,
| talking some nonsense that sounded astrological.) |
| 2.3.25 |
i' faith. I sent thee sixpence for thy leman: hadst it?
| equinoctial equator of the heavens |
| | | leman sweetheart |
| |
Clown
| |
| |
I did impeticos thy gratillity; for Malvolio's nose
| impeticos pocket up? | gartillity little gratuity? |
| |
is no whipstock: my lady has a white hand, and
| whipstock whip handle |
| |
the Myrmidons are no bottle-ale houses.
| Myrmidons Achilles' troop |
| | | bottle-ale houses low-class taverns, which sell
|
| |
SIR ANDREW
| bottled, rather than draft, ale >>> |
| |
Excellent! why, this is the best fooling, when all
| |
| 2.3.30 |
is done. Now, a song.
| |
| | | |
| |
SIR TOBY BELCH
| |
| |
Come on; there is sixpence for you: let's have
| |
| |
a song.
| |
| | | |
| |
SIR ANDREW
| |
| |
There's a testril of me too: if one knight
| testril (A "tester" is a coin worth sixpence; |
| |
give a
| Sir Andrew imitates the Clown's invention of |
| | | "gratillity" by changing "tester" into "testril.") |
| |
Clown
| |
| 2.3.35 |
Would you have a love-song, or a song of
| |
| |
good life?
| good life virtuous living |
| | | |
| |
SIR TOBY BELCH
| |
| |
A love-song, a love-song.
| |
| | | |
| |
SIR ANDREW
| |
| |
Ay, ay. I care not for good life.
| |
| | | |
| |
Clown
[Sings] | |
| |
O mistress mine, where are you roaming?
| |
| 2.3.40 |
O, stay and hear; your true love's coming,
| |
| |
That can sing both high and low:
| |
| |
Trip no further, pretty sweeting;
| Trip run lightly | sweeting sweet one |
| |
Journeys end in lovers meeting,
| in lovers meeting when lovers meet |
| |
Every wise man's son doth know.
| |
| | | |
| |
SIR ANDREW
| |
| 2.3.45 |
Excellent good, i' faith.
| |
| | | |
| |
SIR TOBY BELCH
| |
| |
Good, good.
| |
| | | |
| |
Clown [Sings]
| |
| |
What is love? 'tis not hereafter;
| |
| |
Present mirth hath present laughter;
| |
| |
What's to come is still unsure:
| still always |
| 2.3.50 |
In delay there lies no plenty;
| |
| |
Then come kiss me, sweet and twenty,
| sweet and twenty sweet and twenty times |
| |
Youth's a stuff will not endure.
| more sweet |
| | | |
| |
SIR ANDREW
| |
| |
A mellifluous voice, as I am true knight.
| |
| | | |
| |
SIR TOBY BELCH
| |
| |
A contagious breath.
| contagious breath catchy song; also stinking |
| | | breath |
| |
SIR ANDREW
| |
| 2.3.55 |
Very sweet and contagious, i' faith.
| |
| | | |
| |
SIR TOBY BELCH
| |
| |
To hear by the nose, it is dulcet in contagion.
| To . . . contagion i.e., If the song could be heard |
| |
But shall we make the welkin dance indeed? shall
| via the nose, it would be sweetly stinking. |
| |
we rouse the night-owl in a catch that will draw
| welkin heavens |
| |
three souls out of one weaver? shall we do that?
| draw three souls out of one weaver >>>
|
| | | |
| |
SIR ANDREW
| |
| 2.3.60 |
An you love me, let's do't: I am dog at
| An If | dog at very good at |
| |
a catch.
| |
| | | |
| |
Clown
| |
| |
By'r lady, sir, and some dogs will catch well.
| By'r lady By Our Lady, i.e., well said, you're
|
| | | so right, etc. | some dogs will catch well >>>
|
| |
SIR ANDREW
| |
| |
Most certain. Let our catch be, "Thou
| |
| |
knave."
| knave rascal, upstart, cheat, |
| | | |
| |
Clown
| |
| 2.3.65 |
"Hold thy peace, thou knave," knight? I shall
| Hold thy peace Be quiet, Shut up (Besides "Hold |
| |
be constrained in't to call thee knave, knight.
| thy peace, thou knave," the only other words of |
| | | the catch are, "and I prithee hold thy peace.") |
| |
SIR ANDREW
| |
| |
'Tis not the first time I have constrained one to
| 'Tis . . . knave (Sir Andrew means he has challenged |
| |
call me knave. Begin, fool: it begins "Hold thy
| men to duels by daring them to call him a knave, |
| |
peace."
| but what it sounds like is that he has done such |
| | | stupid things that people have had to call |
| |
Clown
| him "knave.") |
| 2.3.70 |
I shall never begin if I hold my peace.
| |
| | | |
| |
SIR ANDREW
| |
| |
Good, i' faith. Come, begin.
| |
| | | |
| |
Catch sung
| Catch sung (Here we hear two drunks and a fool sing |
| | | a round in which each one tells the next one that he |
| |
Enter MARIA
| is a knave and should shut up.) |
| | | |
| |
MARIA
| |
| |
What a caterwauling do you keep here! If my lady
| keep keep up (Like "Ninety-nine bottles of beer on |
| |
have not called up her steward Malvolio and bid
| the wall," "Thou knave" can go on and on and on.) |
| |
him turn you out of doors, never trust me.
| |
| | | |
| |
SIR TOBY BELCH
| |
| 2.3.75 |
My lady's a Cataian, we are politicians,
| |
| |
Malvolio's a Peg-a-Ramsey, and [sings] "Three merry
| Cataian . . . politicians . . . Peg-a-Ramsey >>>
|
| |
men be we." Am not I consanguineous? am I not
| "Three merry men be we." (A fragment of an old |
| |
of her blood? Tillyvally! Lady! [Sings]
| song.) | Tillyvally nonsense, fiddle-faddle |
| |
"There dwelt a man in Babylon, lady, lady!"
| "There dwelt a man in Babylon, lady, lady!" |
| | | (Another fragment from another old song.) |
| |
Clown
| |
| 2.3.80 |
Beshrew me, the knight's in admirable fooling.
| Beshrew me (A mild oath, like "Dang me.") |
| | | |
| |
SIR ANDREW
| |
| |
Ay, he does well enough if he be disposed,
| be disposed is in the mood |
| |
and so do I too. He does it with a better grace,
| |
| |
but I do it more natural.
| natural naturally (But a "natural" is an idiot, |
| | | so Sir Andrew has once again made fun of himself, |
| |
SIR TOBY BELCH [Sings]
| without realizing it.) |
| |
"O, the twelfth day of December"
| "O, the twelfth day of December" (Still another |
| | | fragment from an old song.) |
| |
MARIA
| |
| 2.3.85 |
For the love o' God, peace!
| peace! quiet! |
| | | |
| |
Enter MALVOLIO
| |
| | | |
| |
MALVOLIO
| |
| |
My masters, are you mad? or what are you? Have
| |
| |
ye no wit, manners, nor honesty, but to gabble like
| honesty decency |
| |
tinkers at this time of night? Do ye make an
| tinkers (Tinkers were reputed to be foul-mouthed |
| |
alehouse of my lady's house, that ye squeak out your
| drunkards.) |
| 2.3.90 |
coziers' catches without any mitigation or remorse
| coziers' cobblers' |
| |
of voice? Is there no respect of place, persons, nor
| mitigation or remorse lowering (of your voice) |
| |
time in you?
| out of regard for others |
| | | |
| |
SIR TOBY BELCH
| |
| |
We did keep time, sir, in our catches.
| |
| |
Sneck up!
| Sneck up! Go hang! |
| | | |
| |
MALVOLIO
| |
| 2.3.95 |
Sir Toby, I must be round with you. My lady bade
| round blunt, up-front | bade ordered |
| |
me tell you, that, though she harbours you as her
| harbours you gives you a place to stay |
| |
kinsman, she's nothing allied to your disorders. If
| nothing allied to no kin to |
| |
you can separate yourself and your misdemeanors,
| |
| |
you are welcome to the house; if not, an it would
| an if |
| 2.3.100 |
please you to take leave of her, she is very willing
| |
| |
to bid you farewell.
| |
| | | |
| |
SIR TOBY BELCH
[Sings] | |
| |
"Farewell, dear heart, since I must needs be gone."
| "Farewell . . . " (This and the following sung lines |
| | | are from a sentimental ballad, Corydon's Farewell |
| |
MARIA
| to Phillis.) |
| |
Nay, good Sir Toby.
| |
| | | |
| |
Clown
[Sings.] | |
| |
"His eyes do show his days are almost done."
| |
| | | |
| |
MALVOLIO
| |
| 2.3.105 |
Is't even so?
| |
| | | |
| |
SIR TOBY BELCH [Sings.]
| |
| |
"But I will never die."
| |
| | | |
| |
Clown
| |
| |
Sir Toby, there you lie.
| |
| | | |
| |
MALVOLIO
| |
| |
This is much credit to you.
| credit honor (Malvolio is being heavily ironic.) |
| | | |
| |
SIR TOBY BELCH [Sings.]
| |
| |
"Shall I bid him go?"
| |
| | | |
| |
Clown [Sings.]
| |
| 2.3.110 |
"What an if you do?"
| an if if |
| | | |
| |
SIR TOBY BELCH [Sings.]
| |
| |
"Shall I bid him go, and spare not?"
| |
| | | |
| |
Clown [Sings.]
| |
| |
"O no, no, no, no, you dare not."
| |
| | | |
| |
SIR TOBY BELCH
| |
| |
[To Clown.] Out o' tune, sir! ye lie.
| ye lie you're lying (because I certainly do dare |
| |
[To Malvolio.] Art any more than a steward?
| to tell Malvolio where to go) |
| 2.3.115 |
Dost thou think, because thou art virtuous
| |
| |
there shall be no more cakes and ale?
| cakes and ale i.e., party food and drink |
| | | |
| |
Clown
| |
| |
Yes, by Saint Anne, and ginger shall be
| Saint Anne mother of the the Virgin (Puritans |
| |
hot i' the mouth too.
| objected to her cult.) | ginger (Commonly used |
| | | to spice ale.) |
| |
SIR TOBY BELCH
| |
| |
Thou'rt i' the right. Go, sir, rub your chain
| rub (to polish it) | chain i.e., the decorative chain |
| 2.3.120 |
with crumbs. A stoup of wine, Maria!
| that Malvolio wears as a badge of his office as |
| | | steward to Olivia. |
| |
MALVOLIO
| |
| |
Mistress Mary, if you prized my lady's favour
| |
| |
at any thing more than contempt, you would not
| |
| |
give means for this uncivil rule. She shall know
| give means for this uncivil rule i.e., provide the |
| |
of it, by this hand.
| wine that lubricates this rowdy behavior (Sir Toby |
| | | has just called for wine, and Malvolio is outraged |
| |
Exit MALVOLIO
| that she is serving it.) |
| | | |
| |
MARIA
| |
| 2.3.125 |
Go shake your ears.
| Go shake your ears (Since they are long ass's ears.) |
| | | |
| |
SIR ANDREW
| |
| |
'Twere as good a deed as to drink when a man's
| |
| |
a-hungry, to challenge him the field, and then to
| to challenge him the field to challenge him to a duel |
| |
break promise with him and make a fool of him.
| break promise with him i.e., not show up at the duel |
| | | |
| |
SIR TOBY BELCH
| |
| |
Do't, knight: I'll write thee a challenge: or I'll
| |
| 2.3.130 |
deliver thy indignation to him by word of mouth.
| |
| | | |
| |
MARIA
| |
| |
Sweet Sir Toby, be patient for tonight: since the
| |
| |
youth of the Count's was today with thy lady, she
| |
| |
is much out of quiet. For Monsieur Malvolio, let
| much out of quiet upset, distracted |
| |
me alone with him: if I do not gull him into a
| let me alone with him leave him to me | gull trick |
| 2.3.135 |
ayword, and make him a common recreation, do
| ayword byword (for an ass) |
| |
not think I have wit enough to lie straight in my
| common recreation general laughingstock |
| |
bed. I know I can do it.
| |
| | | |
| |
SIR TOBY BELCH
| |
| |
Possess us, possess us; tell us something
| Possess us Inform us, tell us your plan |
| |
of him.
| |
| | | |
| |
MARIA
| |
| 2.3.140 |
Marry, sir, sometimes he is a kind of puritan.
| puritan puritan; also of the Puritan party in |
| | | the Anglican church. |
| |
SIR ANDREW
| |
| |
O, if I thought that I'ld beat him like a
| (Maybe Sir Andrew has a prejudice against the |
| |
dog!
| religious Puritans, but he's probably just shooting |
| | | his mouth off.) |
| |
SIR TOBY BELCH
| |
| |
What, for being a puritan? thy exquisite reason,
| exquisite amusingly clever |
| |
dear knight?
| |
| | | |
| |
SIR ANDREW
| |
| 2.3.145 |
I have no exquisite reason for't, but I have reason
| |
| |
good enough.
| |
| | | |
| |
MARIA
| |
| |
The dev'l a puritan that he is, or any thing constantly,
| The dev'l a puritan that he is i.e., Like hell he's a |
| |
but a time-pleaser; an affectioned ass, that cons
| puritan | time-pleaser suck-up | affectioned affected |
| |
state without book and utters it by great swarths; the
| cons state without book memorizes the sayings of |
| 2.3.150 |
best persuaded of himself, so crammed, as he thinks,
| great men | utters it by great swarths spews it out in |
| |
with excellencies, that it is his grounds of faith
| huge chunks | the best persuaded of himself having |
| |
that all that look on him love him; and on that vice in
| such a high opinion of himself |
| |
him will my revenge find notable cause to work.
| grounds of faith fundamental belief |
| | | |
| |
SIR TOBY BELCH
| |
| |
What wilt thou do?
| |
| | | |
| |
MARIA
| |
| 2.3.155 |
I will drop in his way some obscure epistles of
| |
| |
love; wherein, by the colour of his beard, the shape
| obscure epistles of love ambiguously worded |
| |
of his leg, the manner of his gait, the expressure
| love-letters | expressure expression |
| |
of his eye, forehead, and complexion, he shall find
| complexion general appearance |
| |
himself most feelingly personated. I can write very
| most feelingly personated exactly represented |
| 2.3.160 |
like my lady your niece: on a forgotten matter we
| a forgotten matter i.e., anything written so long |
| |
can hardly make distinction of our hands.
| ago that they can't remember who wrote it |
| | | our hands our handwriting |
| |
SIR TOBY BELCH
| |
| |
Excellent! I smell a device.
| device trick, plot |
| | | |
| |
SIR ANDREW
| |
| |
I have't in my nose too.
| |
| | | |
| |
SIR TOBY BELCH
| |
| |
He shall think, by the letters that thou wilt drop,
| |
| 2.3.165 |
that they come from my niece, and that she's in
| |
| |
love with him.
| |
| | | |
| |
MARIA
| |
| |
My purpose is, indeed, a horse of that colour.
| |
| | | |
| |
SIR ANDREW
| |
| |
And your horse now would make him an
| |
| |
ass.
| |
| | | |
| |
MARIA
| |
| 2.3.170 |
Ass, I doubt not.
| Ass . . . not. i.e., both of: "An ass Malvolio will be, |
| | | I am certain," and "Ass (Sir Andrew), I am certain." |
| |
SIR ANDREW
| |
| |
O, 'twill be admirable!
| |
| | | |
| |
MARIA
| |
| |
Sport royal, I warrant you: I know my physic will
| physic medicine, especially the kind that causes |
| |
work with him. I will plant you two, and let the
| vomiting, etc. | let the fool make a third (Apparently |
| |
fool make a third, where he shall find the letter:
| the Clown left some time ago. Also, it turns out that |
| 2.3.175 |
observe his construction of it. For this night, to
| Fabian, not the Clown, joins Toby and Andrew in |
| |
bed, and dream on the event. Farewell.
| observing Malvolio.) | construction interpretation |
| | | event the outcome (of the trick to be played on |
| |
Exit MARIA
| Malvolio) |
| | | |
| |
SIR TOBY BELCH
| |
| |
Good night, Penthesilea.
| Penthesilea Queen of the Amazons (Sir Toby is |
| | | making an affectionate joke. Penthesila was large |
| |
SIR ANDREW
| and fierce; Maria is small, but just as fierce.) |
| |
Before me, she's a good wench.
| Before me i.e., on my soul |
| | | |
| |
SIR TOBY BELCH
| |
| |
She's a beagle, true-bred, and one that adores me.
| a beagle, true-bred i.e., a good companion and |
| 2.3.180 |
What o' that?
| hunter, just like a purebred beagle |
| | | What o' that? (Sir Toby seems puzzled by Maria's |
| |
SIR ANDREW
| affection for him.) |
| |
I was adored once too.
| I was adored once too. (Poor Sir Andrew!) |
| | | |
| |
SIR TOBY BELCH
| |
| |
Let's to bed, knight. Thou hadst need send for
| |
| |
more money.
| |
| | | |
| |
SIR ANDREW
| |
| |
If I cannot recover your niece, I am a foul
| recover win | a foul way out stuck in the mud and |
| 2.3.185 |
way out.
| off course (Sir Andrew needs Olivia's money.) |
| | | |
| |
SIR TOBY BELCH
| |
| |
Send for money, knight; if thou hast her not i'
| |
| |
the end, call me cut.
| cut (A term of abuse, perhaps derived from the use |
| | | of "cut" to refer to a poor quality horse, one that |
| |
SIR ANDREW
| has had its tail docked or been gelded.) |
| |
If I do not, never trust me, take it how
| |
| |
you will.
| |
| | | |
| |
SIR TOBY BELCH
| |
| 2.3.190 |
Come, come, I'll go burn some sack; 'tis too
| burn warm up | sack a Spanish wine |
| |
late to go to bed now: come, knight, come,
| |
| 2.3.192 |
knight.
| |
| | | |
| |
Exeunt
| |
| | | |